Flavie Audi

Group Show ‘PLAY’

Curated by Stéphanie Moeller, ‘PLAY’ features games and toys made specifically for the exhibition by

Flavie Audi
Magnus Bischofberger
Carlotta Cramer-Klett
Brunhilde Bordeaux Groult & Robert Elfgen
India Harvey
Maria Konder
Cody Ledvina
Lily Lewis
Przemek Pyszczek
Anna Perach
Kerim Seiler
Anna Skladmann
Sophie Wahlquist


17 November – 15 December 2018

The Arcade Project
1st Floor, Whiteley’s
London W2 4YN

Zaha Hadid Gallery presents ABSTRACT EXPRESSIONS

10th-19th October

Zaha Hadid Gallery is pleased to present a group show featuring designers and artists whose jewellery and fashion designs were selected across a range of materials and means of expression. By bringing together the individual works of each designer within a joint context, the show seeks to promote a dialogue exploring the possible relationships between geometries – simple and complex, singular and repetitive – with the human body and the array of resulting emotive possibilities. Ranging from works of art or structures intending to be worn, to varying concepts towards the design process, all of the works exhibited challenge a figurative and narrative approach in jewellery and fashion creation, simultaneously summoning material qualities and provocations of scale as new forms of abstract expression.

Omnitopia: towards a new species of space

Teaching AA summer School

2-20 july 2018

Architectural Association, London, UK



Flavie Audi, Samantha Lee, Farvash Razavi


An event of screenings and live performances curated by Felice Moramarco

Diffracta navigates the spasmatic process of production and circulation of images in the age of the total technological mediation.

Images proliferate everywhere: machines taking pictures, machines generating images, surveillance cameras, web cameras, tv screens, smart screens, touch screens, digital images entering reality and reality being shaped by the digital, virtual reality and actual reality becoming indistinguishable. Overwhelming streams of images constantly flow before our eyes, hyperstimulating our vision with a plethora of signals. The circulation of images has escaped the control of humans. For millennia humans have constituted their communities according to the image they constructed of the cosmos and of themselves. Civilisations were founded on coherent processes of representation of reality, and grounded on ordered systems of symbols and images. This is now no longer possible. Reality is distorted and diffracted through multiple lenses. Processes of representation have been automated and have become hypertrophic, thus bursting into a chaotic storm of images that scatters fragmented replicas of reality.

A new aesthetic paradigm is thus needed. A paradigm which, rather than being constructed as a coherent symbolic order, emerges as a complex constellation of heterogeneous elements.


Alexandra Anikina, Marija Bozinovska Jones, Rachel Cheung, Rosie Gibbens, Anna Mikkola, Mati Jhurry, Rebecca Salvadori, Monica Tolia, Flavie Audi & Samantha Lee, Lea Collet & Marios Stamatis.


6th June, 7.30 – 11 pm

Total Refreshment Centre

2 Foulden Rd, London N16 7UR

Supported by Goldsmith University of London


Design Art Basel

13-16 June 2018